Monday, August 23, 2010

Seamus Heaney

The life and artistic career of Seamus Heaney
Seamus Heaney - born 13 April 1939 - is an Irish poet, writer and lecturer who was awarded the Nobel Prize in Literature in 1995 and the T.S. Eliot Prize in 2006.

In August 1965 he married Marie Devlin and, in 1994, published Over Nine Waves, a collection of traditional Irish myths and legends. Heaney's first book, Eleven Poems, was published in November 1965 for the Queen's University Festival.
In 1967, Faber and Faber published his first major volume, called Death of a Naturalist. This collection met with much critical acclaim and went on to win several awards, the Gregory Award for Young Writers and the Geoffrey Faber Prize. Also in 1966, he was appointed as a lecturer in Modern English Literature at Queen's University Belfast.

Identify one of Heaney's poem to share with the class.

Mid-Term Break by Seamus Heaney
I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbors drove me home.

In the porch I met my father crying--
He had always taken funerals in his stride--
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.
The persona, I feel, sounds almost confused about the situation as at the beginning of the poem, the mood is set to be glum but the reasons are unsure as the emotions of the persona are not shown. It is only until the last line of the poem "A four foot box, a foot for every year." that the full impact of the poem really hits the reader. By the persona calling the body a "corpse" and feeling "embarrassed" when the "old men" shake his hand shows detachment from the situation - almost like the reader is blocking out the situation as best he can.

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